Metal with a verdigris patina has an aged beauty that is unique. This protective layer of oxidation is formed over metal like copper, brass and bronze through the years as it is exposed to the air. Products have been developed today that can speed up this natural process. These chemical solutions are able to add patinas to surfaces quickly and efficiently.
Artists long ago made use of the vibrant green of verdigris to make pigment for their paintings. Copper plates were placed in a pot of hot vinegar and the green crust that formed was scraped off for making of pigment. However, this pigment was unstable and it fell out of use when more stable pigments were developed.
Artists in the past appreciated verdigris for its vibrant green color. One method used to hasten the results of oxidation in early days was to hang copper plates in a sealed pot of hot vinegar until a green crust formed. This crust was then scraped off and used to make pigment for painting. It eventually fell out of use as more stable pigments became available.
The process of oxidation is an organic one and no two patinas look exactly alike. Variations occur in the chemical reaction according to conditions under which it takes place and the techniques used. This is part of the charm as each object looks different.
At different stages in the aging process, different colors are achieved. Using products available to accelerate aging, one can achieve the brown or green color, or anywhere in between. Copper becomes a lovely blueish-green color with age and bronze more of a blueish-black.
The required effect may need to be built up gradually, using several thin coats so as to exercise more control. Alternatively, a few thick coats can be used. One can experiment with different techniques and on different surfaces to see what interesting results can be obtained.
Various different applicators may be used to apply these products such as sponges, brushes, rags and sprayers. Trial applications are recommended. One can experiment with many different objects and surfaces. It is often better to use more thin coats than fewer thick coats as one has more control of the effect created.
As with any product using chemicals, care needs to be exercised when using these products. However, as long as instructions are followed carefully, there should be no problem. A tip is to always pour product into a disposable container for use so that one does not have to dip an applicator into the bottle.
A verdigris patina is a flattering finish for many objects, from candlesticks to garden statues. It allows one to add another element to decor accessories and fittings. The fact that products are available to create this effect without having to wait for years, makes it even more appealing.
Artists long ago made use of the vibrant green of verdigris to make pigment for their paintings. Copper plates were placed in a pot of hot vinegar and the green crust that formed was scraped off for making of pigment. However, this pigment was unstable and it fell out of use when more stable pigments were developed.
Artists in the past appreciated verdigris for its vibrant green color. One method used to hasten the results of oxidation in early days was to hang copper plates in a sealed pot of hot vinegar until a green crust formed. This crust was then scraped off and used to make pigment for painting. It eventually fell out of use as more stable pigments became available.
The process of oxidation is an organic one and no two patinas look exactly alike. Variations occur in the chemical reaction according to conditions under which it takes place and the techniques used. This is part of the charm as each object looks different.
At different stages in the aging process, different colors are achieved. Using products available to accelerate aging, one can achieve the brown or green color, or anywhere in between. Copper becomes a lovely blueish-green color with age and bronze more of a blueish-black.
The required effect may need to be built up gradually, using several thin coats so as to exercise more control. Alternatively, a few thick coats can be used. One can experiment with different techniques and on different surfaces to see what interesting results can be obtained.
Various different applicators may be used to apply these products such as sponges, brushes, rags and sprayers. Trial applications are recommended. One can experiment with many different objects and surfaces. It is often better to use more thin coats than fewer thick coats as one has more control of the effect created.
As with any product using chemicals, care needs to be exercised when using these products. However, as long as instructions are followed carefully, there should be no problem. A tip is to always pour product into a disposable container for use so that one does not have to dip an applicator into the bottle.
A verdigris patina is a flattering finish for many objects, from candlesticks to garden statues. It allows one to add another element to decor accessories and fittings. The fact that products are available to create this effect without having to wait for years, makes it even more appealing.
About the Author:
Our dime store at www.dimestoreemporium.com has a selection of unique verdigris patina. Come and see the gallery of jewelries now on http://www.dimestoreemporium.com.
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